My first novel, By Moonrise, is now available for pre-order on Amazon.com.
Wow, did I really write those words? I need to stop and pinch myself. I can’t really believe this is happening to me.
My book (By Moonrise) is done. The cover is done. All that’s left is a final review of the galleys (the pages as laid out for printing), writing up the acknowledgments, and the back of the cover book blurb.
The ever-so-important summary that is meant to tease and inspire, describing just enough that it piques a buyer’s interest. It’s the text on the back of the book, and the text that glows in neon on Amazon.
You’d think that 150 or so words wouldn’t be that hard to write, especially for someone who writes novels and also is a professional copywriter.
You’d be wrong.
Check out my latest post on Medium (for a change of pace):
Once upon a time, I stood at the edge of Jumping Rock at Waimea Bay in Hawaii.
My friend and I had watched dozens of kids climbing up and jumping into water below. I laughed, thinking they were crazy. Then my friend said he was going to do it too, and for some reason, I didn’t want to miss out.
There was no way I could ever do such a terrifying thing myself. The rock was 35 feet high. But as I watched everyone do it, temptation sunk its evil hooks into me. I scaled the rock in my bare feet, knowing that I could never get back down without hurting myself.
Then I was there, like so many people before me, looking down at the water way below me.
It was easy, right? Just jump. It didn’t seem that risky. The water was clear, and sufficiently deep. The bottom was sand as far as the eye could see.
But jumping from that height was madness, especially for someone with a moderate fear of heights. How could I ever do it? What had I gotten myself into?
Once again, I have embarked on the journey of invention and self-discovery that is NaNoWriMo.
This will be my third National Novel Writing Month attempt. It also marks my first year as a Municipal Liaison (for the Austin/Central Texas region), a position I volunteered for because I love NaNoWriMo so very much.
Here are a few of the lessons I learned from my first two “wins” (successful NaNoWriMo challenges):
I’ve been up to a lot lately, and sadly, blogging hasn’t been as high on my list as I’d like.
The important thing is that I’ve been writing a lot. Between my professional copywriting gigs and my novels, I generate a lot of extra vowels each day. I’ve also submitted two different short stories to contests, and I hope to do a few more of those in the next few months.
Authors without readers are like house plants without water. While at first they are filled with life and promise, if they go unnoticed long enough, they will wither and fade away.
So it’s important that excellent books get the attention they deserve. Independent authors, who cannot rely on the marketing departments of traditionally-published authors, depend heavily on their readers to help promote their work and grow their careers. A key component of reader promotion comes in the form of book reviews, which play a huge part in selling books and bringing in new readers.
With that in mind, I recently finished two books that I enjoyed very much, and as a challenge, I decided to try reviewing them together. The books are The Whirlwind in the Thorn Tree by S. A. Hunt and Brother, Frankenstein by Michael Bunker.
Imagine that words and phrases in the English language could be bought. A company could purchase words and become the only entity who could ever use them.
It would fill our language with landmines, forcing writers to navigate through a whole new kind of stylebook. If we used a forbidden word, we could be sued by the word’s owner. One day our use of words like “iced tea” or “notebook” might be completely fine; the next day, if we tried to use that turn of phrase, we could get our websites shut down.
Sounds like crazy science fiction, doesn’t it?
The US Trademark Office is allowing companies to trademark phrases in common and widespread use, such as the term “fire cider,” just because a company wants to have exclusive rights to using a phrase for a product.